#and the side characters feel so one-dimensional

[darthcontusion]

I think something that is missing from a lot of analyses, but probably not all, just the ones that seemed to have risen to the top, is that we see kirk's self-image change over the course of the short from his 1967 tos physique to his 1994 appearance when he was taken into the nexus during the introductory scene of generations.

But as he holds spock's hand, it's not just "movie kirk" because it's a well-remembered iteration of the character, it's because that is the iteration of the character, the point in time, when James T Kirk, now an extra-dimensional entity, feels the most sorrow and the greatest desire to hold spock's hand: the climax of Star Trek II: The Wrath of Khan.

Spock, ever logical, made the decision to pass his soul on to Doctor McCoy, another close friend, although he desperately would have wanted that duty to fall to Jim, before sacrificing himself to save the crew of the Enterprise. And then he dies in an isolation chamber pressing his hand in the shape of the vulcan salute on the opposite side of a transparent barrier as Jim's hand.

That regret is so crucial to Jim in the ensuing 2 films, and then writers kinda let that spark wane because the storyline was complete and Trek is, at its heart, episodic pulp fiction.

But here he is, not just any version of himself, but the version of himself that needed to be with Spock as badly as Spock would have longed for Jim in his dying moments trapped in a parallel dimension, once again trapped and unable to share this scary and intimate final moment with the person he loves the most.

Like this... specific moment in time

is when Kirk is being drawn to Spock's side. THAT is likely the intent of the unification short, in addition to perhaps a little selfishly nodding at Shatner's own regrets about his relationship with Nimoy at the end of Nimoy's life.

Spock and Jim are together then, now, and forever into the future.

[almacambiondaughterofsaleos]

The Narrative's Spin Towards Adam And Lucifer's As Fathers

Seriously, the leaks show us that Adam at least has Abel but again due to wanting to make him one dimensional as ever they make him hate is own second born for some reason. This contrast how Lucifer the devil is treated as a misunderstood sad boy who really does love his daughter, but in earlier plans was supposed to be a bad dad. However, he's a fan favorite of Vivziepop so he gets the Stolas misunderstood sad boy treatment despite damning humanity and being homewrecker. Seriously, Vivziepop is allergic to real nuance by making Adam hate his son, Abel, because of the fact that Abel was killed and that could have been a way to maybe explain why he became what he is today but nope he just hates him because "hur be durp" he has to be this flat caricature of a frat boy. And also because this series undervalues platonic and familial relationships unless you are not the designated fan favorite of Viv. Then again even if you are a fan favorite she has a hard time understanding non-romantic relationships.

Seriously, why give Adam a moment of sympathy with his right hand, but not for his son. Again it feels she wants some level humanity for Adam, but isn't willing to go the extra mile or maybe she's afraid he will be even more sympathetic than her so-called dreamboat Lucifer who really is a pos and maybe an even bigger one than Adam when you think about the culmination of his actions. And again Adam's character contradicts what is depicted in the Bible and even if you invoke poetic license bs why is he so apathetic towards his progeny even his own child. It's a missed opportunity for character inspection and again give Adam some redeeming factors that could actually endear him to Lute instead of wondering what the heck does she see in him. Seriously, it would make more sense if he was a good dad as a show of positive elements to them that Lute could be attracted to. Instead of her just being so oblivious to his flaws despite saying Angels are supposed to be perfect when Adam contradicts that.

Also it also pissed me that her issues with her dad was easily solved and that they didn't actually give real issues with him and just made it into a case of misunderstanding. Again it's obvious if you read the early drafts Lucifer was supposed to be a less supportive dad and it would actually give Charlie more of a challenge than if he came easily to her side. Or at least developed it slowly where he grows to gradually side with her instead of rushing one season. And going back to Adam, I don't actually think they will develop anything further with Adam and Abel and just leave it at one note joke to hammer in how much of an asshole Adam is because these people have no originality or complexity to these figures.

[thebraxiatelcollection]

We're halfway through the new series of Doctor Who, and I'm really unsure of how I feel about it all.

Do I think Ncuti Gatwa and Millie Gibson are brilliant? Absolutely.

But the actual stories?

I have so many mixed feelings. I just feel it tries too hard, and it doesn't reach it's full potential and I just have a lot of mixed feelings about the series and the 60th as a whole with the more I think about it.

[torchstelechos]

I love that Isabeau is the one to bring up the "what do we do if you die" conversation cause its a very good insight to his character at the very start of the game. Isabeau is practical, smart, and loves everyone dearly and wants to know how to help them when shit goes sideways. He's the one to ask about Bonnie too, which is a delightful read on how he thinks because everyone else shuts that down instantly as a "That wont happen and cant happen" but we see later in the game it can happen which is such a startling thing for a game to do but justifies the foreshadowing of Bonnie can die what do we do if that happens? Isabeau, despite everything, is also the one who gets to the heart of the matter even if its not something must people are willing to talk about. All without it being part of his friendquest, thats just him naturally. Which! Says so much about him and how he is! His character when its not about his relationship with Siffrin is a very intriguing thing because it feels like a very classic hard intellectual stance that's been softened after many years of learning to better communicate healthily with others. A reflection, if you will, of Odile but in a very drastic direction. I find him fascinating and I also want to scoop his brains out and study them under a microscope to see all his little brain thoughts.

[perenlop]

ngl i actually quite like the black rose arc

[fightaers]

i just read a TERRIBLE sakura slander i have to actually sit down oh my god

[no1ryomafan]

Thinking more about umbraclaw and while there’s stuff to critique from the gameplay side I think probably the biggest flaw of it is like everything to do with the writing, and I don’t mean just plot.

It’s one of those things where it’s like- The basic narrative of the story is got across well regardless of what ending you get-yes I did look it there being multiple endings lol-and it’s the first entry of a series so the story not being the best can be forgiven but it’s a shame NOTHING is super fleshed out. Not just the soul plane but the characters don’t get much at all, they kinda just exist as set pieces to move the narrative forward. Kuon, the mc oddly never talks that the characters always acknowledge it so she’s basically a blank slate and I’m unsure if it’s because we’re meant to project onto her/interpret her whoever we please or if it’s just to reflect she’s not like the others and she’s a normal animal.

We also don’t get to know enough about her owner that it’s actually hard to care about her other then “well she seems nice ig” since you can’t say you want to care about Kuon because she’s blank unless you really put yourself in her shoes or your own pet into her place ig. And don’t even get me on how LOCKE is so weirdly interrogated into the plot and clearly has more to him yet is left off being so vague, like we get teased he’s like you but never are directly shown or hinted at that. He’s just there as a rival but he’s not at ALL fleshed out enough or placed right into the plot even if he’s spared at the end which doesn’t amount to anything, he’s just there yet again to be a set piece that’s just a bit different from the others. (And also how he hints at a deeper theme of losing control of yourself in terms make you forget who you are but it’s not explored ENOUGH even if he’s there to reinforce it it only comes up in one ending)

Like this story doesn’t make me super angry to hate the game as I’m still gonna do another ending and overall playing it is a really interesting experience I won’t get from anything else, but maaan if we get a sequel I hope the plot is reworked significantly cause it sucks how it’s “not a bad story but also a story with no substance”.

Its something that’s satisfying only because it’s a what you see is what you get thing but doesn’t have anything deeper to really pick at.

[yourqueenb]

I’m honestly really glad that they paywalled interactions with Luke and Ruby this week because I’m just not feeling them, I’m sorry y’all

[aroaessidhe]

2023 reads // twitter thread  

Song Of Silver Flame like Night

YA wuxia/xianxia inspired fantasy

a girl in a colonised country with a mysterious seal on her arm left by her mother before she was killed

when a state magician finds her, she escapes with a boy to his school of secret traditional magic practitioners, and discover the secrets her mother left her

powerful demon gods

[mariesoliver]

Jail time for all y'all that hyped up fourth wing like it was a gift from heaven

[nualaofthefaerie]

How about we stop interpreting the Cat King into something he is not and start listening to Lukas Gage about his own character instead?

Because it's genuinely concerning how some people view him, and at this point, I am starting to believe you people are so hostile towards him because he disrupts Painland, which he doesn't since Edwin can very much like two people at the same time (most people in real life do).

Lukas also sees this shit... It's obvious he loves this character and worked very hard to make him complex and three-dimensional, only for people to misunderstand him completely and start treating him horribly, which I'm sorry but it's completely bullshit.

So less "I don't like him because he makes me feel icky for no apparent reason" and more media comprehension.

Gif belongs to @isabellaofparma 🪷🩷

AN ADDITION TO THIS (03.07.24):

I think every person should be allowed to, of course, continue to dislike him. He is a complex character, and as such, he is the whole spectrum, and that rubs people in ways. However, I did mean to provide a different point of view than the one that had begun to take prevail and I felt was a bit unfair towards what Lukas wished to portray. I will not change or edit the original phrasing because that is how I felt when I originally posted this.

I do enjoy reading everyone's opinions. The ONLY thing I will not tolerate on this post is personal insults on both sides. Do not have those under my post. I'm an adult. I can't have people fight over fictional characters with personal insults.

[genshin-scenarios]

spiderverse continued: you’re a sunflower—! 🌻

Summary: As requested, here are the continuations to my previous Spiderverse post here!

Characters: Kinich, Heizou, Tighnari-Cyno, Venti, Wriothesley, Lyney

Warnings: Mild depictions of a panic attack for Wriothesley. Major character death in Lyney ‘bad end’ option (there is also a good end so don't worry!)

Kinich

When interdimensional rifts start to appear in Kinich’s world, he's not-so-proud to admit it made him a little hopeful that instead of an abyssal monster, it'd be you that falls out instead.

His wish is granted—somewhat, when he sees you. Not spiderman-you, but the version of you from his world who he's never met before.

You tell him you’re a test subject from a governmental organisation who got lost in the rifts many years ago (they were researching multi-dimensions). 

That at least explained why Kinich couldn't find traces of a ‘you’ from his dimension before (he was totally not pining and definitely wasn't disappointed when his searches came up empty)

Other than his one-sided attachment however, Kinich did have a practical reason for staying in contact with you. You seem to have gained abyssal powers from staying in the rifts for so long, and you're a crucial key to figuring out how to close them for good.

At the end of your first cooperation, Kinich drops a line that he wished he could've said to the other-you: at the core of the sentiment, he was truly just afraid you’d disappear back into the rifts and never meet again. 

���Come to me if you have any problems. For you, I'll do anything.”

You stay quiet, giving him a small smile before disappearing to your hideout. Considering how you were just a lost test subject, you weren't very keen on going back to the organisation that used to own you… but more baffling are the flashbacks that keep entering your mind—memories from spider-you in bittersweet, rose-coloured lenses. 

It wasn't uncommon for you to witness the memories of your other-dimensional selves, but ever since returning to your original world, this spider-version’s memories have been invading your mind.

Kinich knows you aren't the same person, but he does feel a soft spot for you nevertheless. As time goes on, he’ll notice similarities and differences between this-you and spider-you. 

Is it possible to fall for the same person twice? It seems that no matter which version, Kinich's drawn like a moth to a flame (clearly, he has a type. Or perhaps there's some element about being soulmates that'll better explain this). He’ll earn your trust slowly and get to know the current-you as an individual, and pay the price for loving you twice by convincing you that he's seeing the real you, instead of an imagined spider-other. 

The first time you truly let your guard down is when he's tending to animals in the nature reserve—his serious face while carrying a very cure hippo calf in his arms was truly a sight to behold:

“What is it?” “Nothing—I just never thought an animal could look so cute.”

Kinich thinks for a moment about how cute the sanctuary's animals might be. You guys had hit a roadblock in your plans and needed a way to divert police forces away from the Abyss-monsters. He tells you his idea. Your jaw drops. 

"We are NOT using the animals as bait!” "They aren't bait, we're just... letting them loose."

In the city. To divert traffic.

"I can already see the headlines,” you cross your arms. “Spiderman endangers animals - menace or hero?"

Kinich thinks to himself that he wouldn't mind being a menace, if it'll draw this expressive of a reaction from you.

Heizou

It isn't uncommon for Heizou to rescue you as Spiderman, particularly when he's late for a meeting and was swinging to avoid traffic, or when there's a villain on the loose.

“Late for a meeting, Reporter?” He asks as he swings the both of you between office towers, knowing full-well that the meeting in question was with him. Heizou is also not above small-talk as he asks you about the famous detective you're dating, and what you like about him:

“I feel like this is a little bit too personal, even if you've saved my life.” You raise your brow. “But if you must know, Detective Heizou has many charming traits, down to his impressive intellect and close-combat abilities. I'd say he can even give you a run for your money.”

You'd never say something so grandiose to his civilian-self. “Do you boast about him to everyone, or is it just your way of letting me know you're taken?”

“What do you think, Spiderman?”

Heizou thinks he should buy you flowers more often for being his number one spokesperson, but you’ll only chide him for buying too many things for you.

“Another gift?” You blink in surprise, accepting the box from Heizou. “I'm starting to wonder just how much you earn as a detective. Maybe I should switch careers.”

“I’ll have you know that I only buy things with sentimental value.” His eyes glimmer as he watches for your reaction. Your gaze widens when you see the necklace that shines with the same green shade as his eyes. It doubles as a safety beacon that'd send him your location if you pressed it in an emergency—thoughtful as he always is. 

“Anyways, could you help me make out these words? The handwriting is horrible.” He passes a notebook to you. Fully ready to help with the task, you're caught completely off-guard by details to a restaurant, finished by a not-so-subtle ‘date?’

“Heizou… you're already my boyfriend, are the pickup lines really–” “What does it say?” “...Would the beautiful person sitting across me like to go on a date.” “You didn't read out where, but I suppose I'm not picky about blindly following you.” “Heizou.” “You can even blindfold me if you'd like~”

Tighnari-Cyno

Remember the thank-you kiss on the cheek you gave to Vulpes? Yeah… That innocent gesture has somehow ended up in the tabloids, and you've been badgered by reporters who want to know if you're connected to the Spidermen ever since!

It gets to a point where Tighnari and Cyno have started to escort you in public areas just to try and give you some peace of mind—meanwhile, Tighnari might be beating himself up a little for causing you trouble. Sure, neither of you knew some sleuthing reporter could’ve witnessed it, but the damage is done.

“Maybe you should try to prove to the public that nothing is going on.” Tighnari numbly suggests. “Vulpes should've seen the newspapers by now. If he has any conscience as a hero, he should at least put it on the record that you don't know each other and get the media off your back.”

“I agree. If this continues, you could be in danger of being targeted by worse people.” Cyno says. “I believe that the superheroes patrol every now and then, so you could just leave a message somewhere discreet but visible from the sky.”

That was the plan, until a villain got to you and kidnapped you first. At this point you aren't even sure if you should laugh or cry at your luck—as the situation unfolds, both you and the Superheroes realise that the villain had a deluded image of your relationship (he read too many tabloids and thinks you're dating Vulpes). One thing leads to another, and when the villain finally has Vulpes trapped, you play the last card that comes to mind—unmasking the bottom half of Lupus’ face and kissing him right in front of them.

The shock gave Vulpes just enough time to break out of his binds and take down the villain, but not without returning to you and Lupus with his ears red (not visible but you definitely could tell from his voice) and clutching his forehead.

The clarification with the media was well-thought out and sufficed to bring your daily life back to normal, but your daily life with Tighnari and Cyno? A whole other story. The entire fiasco and theories about you dating their hero-selves has made the two a lot more conscious about their crushes on you—which somehow manifested into a lot of trouble!

Cyno can't believe that you gave him your first kiss without even knowing it's him. And Tighnari, well… let's just say that Lupus is going to have a very hard time during their next patrol. (Love and peace will come when your polytrio starts dating as civilians. Being committed makes them less petty)

Venti

“Guess who!” 

“Who else would be able to break into my room?” You muse, removing the hands which have covered your eyes, accompanied by a melodic hum. “Don't tell me you're here for open-night mic at the teahouse?”

“Hmm… that would be a nice idea, but it's actually because I have something to show you.” Venti smiles. “Care to go for a swing?”

Even before becoming Spiderman, Venti always had a penchant for high-up places as hideouts for writing music. What you don't expect however is for him to have found a similar spot in Liyue—with a view so beautiful during the sunset that he just had to bring you to it, regardless of how tired he must be from travelling to your city alone.

Things get a easier when you gain access to a waypoint device and registered Mondstadt as one of your destinations. It's your turn to crash in Venti's room while he goes on patrol, waiting for him to come back while you keep an eye on his navigation and police radio.

When he encounters a villain who you've only heard of as a rumour before, you're quick to don your own uniform, send a distress signal to your teammates, and join the fight yourself. 

There's a certain level of trust required to work together in such a high-speed environment, but the two of you make-do with your earpieces and manage to take the villain down. This is the first time Venti’s meeting your teammates, and is surprised to hear that they've heard about him before—not as Spiderman, but ‘that one cutie’ from your home-city that you’re ‘crazy about’.

Suffice to say you turned to violent threats very quickly to silence them and save your dignity, but the moment Venti heard the word ‘cute’ it was over—he manages to trap you in Mondstadt for now while your teammates send the villain back to headquarters, waving the both of you cheerily goodbye as Venti, still suited, keeps an arm around your shoulders. 

When you've retreated to the safety of his room and settled for the night, right as you thought that maybe the comment has escaped his mind—Venti peers up from his laid-down position on his stomach, at you who's sitting up and reading on your phone.

“So, there's this hometown sweetheart you have a crush on-?”

You have a feeling that he might begin a hunt if you dared to joke that it isn't him you were yapping about. And while you know that Venti wouldn't hurt anyone—it's somehow hard not to feel like you're in danger when his eyes are glimmering knowingly like that. (You feel the skip of a heart—your heart, to be exact.)

Wriothesley

Things get bad when you—a renowned detective—are framed for a crime you didn't commit. 

It's normally you bailing Wriothesley out of trouble with corporations and the media, after all, not the other way around. So when you sneak into his hideout with a cloak and looking worse for wear, Wriothesley knows that this isn't like the past times a villain is targeting you—whoever is on your case now is out for something important, and you'll both have to figure out what it is before it's too late.

Most of this adventure involves you living undercover as a regular civilian rather than your usual, detective self. It's almost domestic as you befriend the coworkers in Wriothesley's underground business, and become known as just another reporter who wants to ‘find out the truth’ about your detective-self's scandal.

People underestimate you because you've been pretending to be helpless in combat, letting Wriothesley take charge—allowing you to pretend you've been knocked out and do some sleuthing of your own at some point. But when all of that is done, Wriothesley has to hide a chuckle when you throw yourself back into character:

“Oh, thank god you're back! I don't know what I would've done if you didn't come in time!”  “I can still see your weapon in your coat.”  “Ah… And just where are you looking, Mr Wriothesley? My eyes are up here.”

The two of you are so unserious sometimes that it annoys your opponents, to be honest. But when things take a serious, darker turn, you're both faced with the reminders of your past staring back at you.

Suddenly, all the bravado in your body bleeds away, leaving a gaping hole in your chest that’s wide with panic. It's suddenly hard to breathe, but before you can devolve any further, you’re anchored by a grip on your shoulder which draws you into a firm chest. 

Even suited, you can still feel Wriothesley’s body heat and the loud thumps of his heart. Whether it be from fighting or seeing the same fears as you, you buried your head in his embrace nonetheless—pretending for a second that the world has slowed down.

Even the greatest of detectives may one day face a truth they cannot handle alone. Who would've thought that the thing which’ll comfort you is akin to a spider, which scatters out from the same shadow?

Lyney

I've already written some additional thoughts about Lyney here and here, so in this post I'll write a sort of ‘how it ends’ situation!

Like the theme suggests, this is how Lyney knowing your identity might end for the both of you…

A common enemy appears in the form of a mad scientist obsessed with abyssal technology, who's summoned a monster from the depths of the ocean (the narwhal).

There's a long-winded investigation from both you and the House of Hearth (the Fatui may be antagonistic, but they don't want to destroy their home) which finally collides when you run into the Phantom Twins at a very suspicious site. From there on, the twins have been cooperating with Spiderman to find the source of the unnatural floods around the city, and even helped out with evacuations.

Your impression of the Phantom Twins soften when you witness Lyney push himself too much whilst saving bystanders, ending up with a sprained leg. You offer to carry him back to the meeting point, which he vehemently refuses via evasive remarks, before your insistence makes him falter.

…Ah, how was he supposed to avoid you like this? You're just too heroic for your own good.

You're surprised by how light he is, which he takes slightly in offence. But more importantly—he's burning up! Having built up a fever from working night after night and not getting enough rest, you hand the masked fatuus to his sister and tell her to make sure he gets some rest. (You know it's bad when he's not as annoying as usual)

Lyney is mortified when you hear about his absence (due to illness) at school and asked Lynette if you could visit to pass him class notes. At this point Lynette doesn't know you're Spiderman but does know about Lyney’s huge crush, so she agrees and even says you can hang around and try to cheer him up, since he's been moping lately (mostly because he can't join on missions for now, but civilian-you doesn't know that.)

He can't decide if he's elated, embarrassed, concerned (or a jumble of all the above) when you step into his room, notes from class and snacks in hand. His injured leg is hidden beneath his blanket covers. Lynette quickly disappears after giving him a thumbs up, leaving the two of you alone. It's your first time seeing Lyney so tired, but the softness that he always holds towards you remains nonetheless. Your thoughts even wander back to when you encountered him as Spiderman for the first time and noticed an oddness in his attitude—something cold in his eyes despite his warm tone and smile.

It's leagues away from the normal Lyney that speaks to you or anyone else at school. But a couple of months later, you run into him as Spiderman again and notice that the coldness is no longer there.

Strange. Perhaps it’s just distrust towards you when you were still a new superhero? The press hasn't exactly been kind with their criticisms, so you can see why some people might be wary about you.

But still, something about that encounter versus his usual self still lingers in your mind, and you realise after a while that it's because you care whether or not he likes you.

But that's ridiculous. You're just friends, right?

Bad end, warning for major character death: by the time you realise that Lyney isn't just a friend, he's already sacrificed himself in the fight against the narwhal, only to reveal his identity at the very end as he tells you to protect his siblings and the city. “Under regular circumstances, I'd very much prefer to be alive and do it myself—but there are some things that only superheroes can do. So make sure not to break my heart by wasting my sacrifice, alright?” Do I now feel more like a hero, to you?

Good end: in a critical moment, Lyney tries to sacrifice himself but you jump in the way. In his panic, he calls out your real name, just as backup arrives from Lynette and Freminet.

“You… How did you know?” 

It hurts that you're looking at Lyney with such terror, with a guarded clench in your jaw as you pick up a random weapon in an effort to steel yourself. “Answer me now, before—”

“Please don't be too mad,” Lyney raises his palms, finally coming clean. You eyes widen as he slides his own mask off, wincing from the injury on his leg which has reopened during the fight. “I didn't say anything because I knew the city needed you.” Then, a pause. “...And it's a little complicated when you learn that the person you like has also been your alter-ego’s rival.”

With a weak smile, Lyney has the nerve to pick out an item from his cloak pocket and fold it into a little rose. He gives it to you like a delicate piece offering, before retracting and giving you space. Before you can start to piece together a response, he’s fled the scene with his siblings—who judging from their shock earlier, also did not know about Lyney’s knowledge until this moment.

You can only hope that the three of them keep their mouths shut. But despite all the practical issues and feelings of betrayal coiling in your chest—why was Lyney’s expression still lingering on your mind?

He smiled at you like he was afraid of how you'd react.

…Did your feelings really matter to him so much?

[deception-united]

Let's talk about strong female characters.

And, more specifically, the problem with them. Don't get me wrong, I am all for a fierce leading lady who can hold her own in any situation. Inspiring, intimidating, capable. All-around badass. But it seems like lately, every other female character we meet is cut from the same warrior cloth, and it's starting to feel a bit predictable.

First, let's give credit where credit is due. The influx of strong, capable, and independent female characters in recent media is undeniably empowering. Seeing women take charge, wield swords, and save the day sends a powerful message to audiences young and old: girls can do anything. And that's a message worth celebrating.

However, there's a flip side to this trend that's worth examining. In the rush to break away from the tired old tropes of delicate damsels in distress, it seems like some writers have swung too far in the other direction. How many recent female protagonists can you name who aren't strong and independent? Who have weaknesses that they aren't afraid of showing, or aren't able to hide? We're seeing a lot of new male leads with these characteristics, which is great, but it's like we've traded one stereotype for another.

All this results in a lot of one-dimensional female characters. I want to see girls who are witty, goofy, immature, sensitive, cocky. While it's great to see women kicking ass and taking names, it's also important to remember that strength comes in many forms.

One of the things that makes characters truly compelling is their complexity. Sure, it's empowering to see a woman single-handedly lead or defeat an army, but what about her flaws? Her insecurities? Her moments of vulnerability? Those are the things that make her relatable, that make her human. That makes her resonate with readers.

Take the classic "strong female character" archetype and add some depth to her. Maybe she's a skilled warrior, but she's also quick with a sarcastic quip. Or perhaps she's fiercely independent, but she's also afraid of being vulnerable with others. Or maybe she's not. Maybe she's not strong or independent or fierce at all. Maybe her strength lies somewhere else. Give her layers, give her contradictions, give her flaws.

And let's not forget about the other roles that female characters can play. The witty sidekick, the comic relief, the immature goofball, the sensitive soul—these are all valid and important character types, and they deserve to be represented just as much as the badass warrior woman.

So, to all the writers out there: by all means, keep giving us strong female characters. But let's make sure they're more than just stereotypes. Let's make them human. Let's give them depth and complexity and nuance. Because in the end, that's what makes a character truly unforgettable.

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[elumish]

When I see people talking about why they gravitate towards M/M fiction, one of the things that I see a lot is that they don't feel like there are female characters that they can relate to--that all female character are written poorly, or they're all straight or white or skinny. (This latter bit isn't actually the case, but I can see why you feel that if you only look at certain media.)

And I want to remind people that you can write female characters that you relate to, that show up the way you want female characters to show up. You can put that into the world!

If you've ever written a fanfic about a male side character and fleshed him out into a three-dimensional character, you can just do the exact same thing with a female character! There's no difference in terms of writing process or skill requirements or anything else--men are not the default, with femaleness being something that you need to figure out how to navigate.

I think it can feel intimidating, sometimes, when you don't relate to any of the female characters that you're seeing, to try to write a relatable female character, but the great thing about writing is that the more you do it, the better you'll get.

Think about something that you dislike in the female characters you think are written poorly. Maybe you dislike the arc that many have in certain types of M/F romances where they acquiesce to the demands of male characters, even when the rest of their personality wouldn't indicate that they would do that. (I know I hate when I read that.)

Take that issue and play with it. Write a female character who doesn't do that! Write a female character who does the things that you want to see female characters doing. Write a female character who isn't white or isn't straight or isn't skinny, if that's what you're looking for in a female character.

And if your issue is that you don't want to write about the issues that women face, you can just...not do that. Maybe she has a bunch of female coworkers, and her male coworkers are feminists (literally the project that I just came off of at work--it does happen). Maybe the fantasy world you're writing doesn't have gender-based discrimination. Maybe you just don't write about those things, in the same way that so many people don't write about homophobia in their M/M fics, because you just don't have to.

Female characters are exactly as easy and exactly as difficult to write well as male characters.

[hotdaemondtargaryen]

EWAN MITCHELL TALKING ABOUT AEMOND TARGARYEN IN EPISODE 4 FOR NUEVA MUJER MAGAZINE.

(video of the interview comes out this week)

AEMOND, AT THIS POINT, IS THE MOST INTERESTING AND COMPLEX CHARACTER IN THE ENTIRE SHOW. AT THIS POINT IN YOUR HISTORY, WHAT ARE YOUR INTERESTS?

"I love exploring the dark side of Aemond and delving deeper into his vulnerability."

"At the end of season 1, with his dragon, Vhagar, he knows he's made a mistake and lets his emotions get the best of him."

"It's good to see that feeling again and it breaks down and takes away that one-dimensionality: there's something more underlying beneath the surface that, in part, motivates it."

IT IS CLEAR THAT AFTER WHAT HAPPENED, A CONFRONTATION BETWEEN AEMOND AND DAEMON IS GOING TO HAPPEN. WHAT CAN YOU TELL US ABOUT THAT?

"Sure, but at what cost? Everyone saw the damage the three dragons did in the battle."

"After that moment, all of Westeros already knows what it is to fight with dragons and what they can do."

"Now, with Aemond and Daemon, if they sat together in a room, any item in it would be a deadly weapon."

HOW DO YOU DEFINE THE RELATIONSHIP BETWEEN AEMOND AND AEGON? IT IS VERY CLEAR THAT AEMOND IS INFINITELY SUPERIOR THAN HIS BROTHER AND HE KNOWS IT.

"Yes, I think he has always seen Aegon as someone who is inferior to him."

"He feels like he doesn't have the drive to be a king and the perseverance to be a leader."

"While Aemond was training with the sword and studying with the masters, his brother was probably in some Flea Bed brothel squandering his inheritance."

"So Aemond, although he was the second son, always felt that he should have been treated as the first and always prepared himself for that."

"He also feels that he would probably make a better king than Aegon."

"He hates his brother, but he loves him at the same time, because he is his brother."

"They share a heritage."

"He wants to love him, but Aegon gives her plenty of reasons not to."

BUT DID AEMOND WANT TO KILL AEGON?

"When we are in the battle scene, and when Vhagar attacks Aegon and Rhaenys, the question arises as to whether he intentionally tried to hurt his brother, or if he was in his way or if he was just collateral damage."

"I think it goes back to the previous answer: I think of them as Michael and Fredo Corleone, at the time when the latter betrayed his brother and plotted against him."

"This is because although they hate their enemies, there is a deeper hatred towards someone who should protect and care for you."

"And Aegon never did that. In fact, he led the bullying. Aemond “forgives”, but never forgets."

NOW THAT YOU'VE ALSO RECORDED 'THE LAST KINGDOM', AND, COMPARED TO YOUR CHARACTER, OSFERTH, AEMOND TARGARYEN IS CRUEL AND RITLESS. WHERE DID YOU GET INSPIRED FROM TO INTERPRET IT?

"It's interesting that you mention Osferth, because in many ways he is the antithesis of Aemond, in the sense that they are children of royalty who were marginalized and have been treated unfairly by their brothers."

"Aemond himself, because he has been sidelined, has a lot to prove."

"He is the second son who will inherit nothing and recognizes that whatever he wants in this life he will have to go out and get it himself, by hook or by crook."

"He has tremendous power in Vhagar."

"And, of course, he recognizes that he can do things that no one else in the kingdom can do."

"And that's why he sees it as a call to greatness, to write his name in the history books."

AEMOND IMPOSES FEAR. IT HAS A DANGEROUS AURA. HOW DO YOU TRANSMIT THAT SENSATION TO THE SPECTATOR, THAT SOMETHING TERRIBLE CAN HAPPEN TO SOMEONE LIKE THIS IN A PLACE?

"I think that in the first four episodes, Aemond is still not very much at the center of the conflict."

"You see it with Criston Cole plotting and trying to manipulate the council because they know war is inevitable."

"Now: Shakespeare said the eyes are the windows to the soul, but in Aemond's case, what does it mean to have one and the other a safari? Do you see less of his soul? There is silence."

"A lot of silence on your part and in those moments you say a lot without saying anything."

"I love those moments, because as a viewer, you can project your own interpretation on the character about what is happening through his or her gaze."

BY THE WAY, WHAT IS THE RELATIONSHIP BETWEEN AEMOND AND ALICENT?

"Someone asked me if I thought Aemond had problems with his mother and I don't think so: he just wanted to be loved by her a little more."

"He is an empty child and children need that unconditional love to be balanced beings and develop a vision accordingly."

"And since he never had that, he had to look for solutions in other beings. In Vhagar. At Mrs. Sylvie, from the brothel."

"Children need to be loved unconditionally: if a child is not embraced by the village, they will hug them to feel their warmth and seek validation through other means."

"In Aemond's case, it's war."

"And of course, if he finds out what Cole, his best friend, has been doing with his mother, I don't know how he would take it."

HE'S A PRETTY BROKEN CHARACTER. HOW DID YOU EXPLORE THAT?

"That's one of the most fascinating aspects of playing him."

"Because beyond that image that has been created, he is in a very different physical and psychological place from what we saw last season."

"He has cultivated this facade - almost homage - inspired by Daemon Targaryen."

"Now, there is a movie called 'Fire vs. Fire' starring Robert De Niro where he has a code to protect himself."

"Aemond has something similar."

"That's why it's so easy for him to reject the madame in episode 3, because he knows that in her world there is no place for love, since it is a weakness."

"He has to be seen as this 'Terminator' who scares everyone and is all-powerful."

"So it's interesting to see what's behind all of that, to see this abandoned boy who is still there."

DO YOU THINK THAT AFTER THIS BATTLE HE WILL HAVE SOME KIND OF GUILT LIKE WHAT HAPPENED TO LUKE AND ARRAX?

"He knows that there is no turning point this time."

"What happened with Luke and Arrax, he knows was a mistake."

"It wasn't his intention."

"He let his emotions get the best of him and lost control of his dragon."

"Here he is in complete control and knows what the dragons can do."

"In episode 5 you will see all the consequences of this."

[islandofsages]

The first years (not Ortho) discovering that they are Yuu's emergency contact. Like Yuu put them as an emergency contact, but he didn't think it would be necessary, but he ends up having an accident out the town and is taken to the hospital, causing one of the first years to be called, so when they ask Yuu why they chose him to be As his emergency contact, Yuu responds that he is the one he trusts the most in the group.

characters: first years (excluding ortho) x gn!yuu!reader

tags: platonic, canon compliant, hurt/comfort, imagines + scenario format; mention of vil in epel's, mention of malleus in sebek's

warnings: accidents, hospitals, near-death mention, the use of the word "idiot" as an endearing term in ace's, hugs and hand-holding in deuce's

author's notes: ngl the pronouns in the ask kinda confused me so i just made this gn reader lol hope you dont mind anon <3

Ace Trappola

Despite all his antics (or maybe because of them), he really feels that he’s made a genuine connection with you

He won’t say it but he’s really glad that you put up with him and you don’t see him as some one-dimensional jerk you do see him as a multidimensional jerk though /joke

So when he gets a call from your number yet an unfamiliar voice greets him, he immediately grows worried, and for good reason - turns out you’ve ended up in the hospital due to some unknown accident

He drops everything he’s doing and rushes to the hospital without thinking twice. Like, literally rush there. He spares no time to call for transport

…Or ask for details from anyone for that matter. If it weren’t for the staff, he would’ve tried barging into any random ward to find you

When he gets to you, panting and panicked, he goes to steady himself, his hands gripping the sides of the hospital bed so tightly

You’re glad to see his face and he’s glad to see that you still manage to muster up a smile at his presence

That’s when he notices that nobody else is there, and so he asks you where everybody else is. You tell him they only called up your emergency contact which is none other than Ace himself

He asks you why is he your emergency contact out of everyone-

“It’s because I trust you the most, you idiot. I bet you ran all the way here the moment you got that phone call.”

You let out a knowing laugh and Ace pouts as a response, totally not trying to hide the tears that pricked the corner of his eyes

You’re not sure who’s supposed to do the comforting at that moment, considering you were involved in an accident and Ace is on the verge of tears - so you both don’t bother trying. The following conversation carries on as normal

Despite all his antics, you really feel like your faith in him is not misplaced.

Deuce Spade

You’ve always admired Deuce’s strength to change - and he’s always admired your loyalty

Sometimes he’d feel guilty for having you endure having him as a friend and you always have to shut him up by assuring him that there’s really nothing to endure

Even when you have to endure an almost life-ending accident, you can’t help but think of him first and foremost

His grip on the phone alternates between on the verge of breaking and so loose it’s a miracle he hasn’t dropped it yet when he gets the news

Someone goes to fetch him from the hospital and he cries on the way, not giving any room for the person to speak with him

He tries to put on a brave face when he walks through the halls in search of you but when he reaches you, he can’t resist the yell he lets out

“YUU! YOU’RE ALIVE!”

You end up having to calm him down a bit lest you two become the victims of a few dozen glares in that hospital

When he’s down to only sniffing, you tell him why he’s the first person you called

He almost broke down into tears again because of it

He’d hug you or hold your hand if your condition allows it and give you a teary smile that you of course reciprocate

You fill him in on what happened and he’ll listen intently, then offer to be by your side as long as you need him to

He’s always admired your strength - and you’ve always admired his loyalty.

Jack Howl

You always found his stubbornness amusing and honestly, he’s a bit confused as to why you stick by him all this time

Not really in a self-deprecating way - he’s always been more of a lone wolf. Only when he came to Night Raven College does he feel like he’s part of a pack now

And since you’re a part of that pack, he has a strong need to protect you, no matter the cost; so you can imagine his reaction when he got a call about you ending up in the hospital after an accident

The first thing he feels is anger; not at anything in particular yet at everything simultaneously. It’s called an accident for a reason yet why did the universe allow such a thing to happen to you?

He tries to calm himself down on the way to the hospital but it’s nothing short of difficult, even with the help of someone else

When he finally finds you, he finally lets out a breath he wasn’t even aware he was holding

You muster a smile up at him and it takes his all not to let tears break through the surface

“...I was really worried.”

You chuckle - in situations like this, his absent stubbornness really makes a difference, but you appreciate his honesty

He didn’t think twice of the fact that he was the first one you called but you tell him why anyway. A cute little smile adorns his features then

He says he’s honored that his feelings are mutual then swears to you he’ll try harder to protect you, even if it means switching places with you

You brush him off, saying you’d do the same. The conversation goes back and forth for a while after that

He’s always found your insistence endearing and frankly, he wouldn’t have you any other way.

Epel Felmier

A bit similar to Jack, only when coming to Night Raven College does he get to mingle with kids of his age due to his hometown

And one of those kids is none other than you! You two have grown so close and made some unforgettable memories together

Unfortunately though, one of those unforgettable memories includes the news of your accident. Not just for him - some may remember the scream he let out at the news

He begged Vil to let him borrow the blastcycle the Film Research Club has and Vil only nodded solemnly; nobody needs to see him cry on the way to you

He speeds through everything and anything possible; he doesn’t care whatever consequences he has to face after all this is over

When he reaches the hospital, he allows the staff to guide him to where you are as he catches his breath

He chokes out a gasp at the sight of you and calls out to you

“Y-Yuu… I’m so glad you’re alright…”

He sits on the stool provided by the hospital and his head droops low. He’s silent

You give him a moment to process everything. It’s a lot to take in. Even you didn’t think it could come to this

Five minutes pass. You sigh and tell him why he’s the first you reached out to. He mirrors your sigh and a small smile creeps onto his face

He’s grateful that he means so much to you; grateful that he can mean so much to someone. Despite himself, his heart swells with pride

Even when you are inches away from death, he feels like every memory can be a happy one as long as you’re in it.

Sebek Zigvolt

He sees you as an equal - and that’s saying something

He won’t admit it out loud but he feels less lonely for once, seeing that someone understands or at least respects him as much as you do

For once, he feels he can disconnect from his Malleus worship for a while and not feel like he’s betraying his trust

But when he hears news of you ending up in the hospital, he definitely feels a sharp pang of guilt pierce his chest; he’s betrayed your trust

He excuses himself from Malleus and apologizes profusely for willingly leaving his side for someone else, but he simply can’t abandon you

Malleus lets him go of course, even offers to tag along, but Sebek assures that Malleus is needed more where he is

His head rested in his hands while he laments in his transport, breathing heavily

It takes his all not to shout your name in search of your ward when he reaches the hospital; but he can no longer hold it back when his eyes land on you

“YUU…! YOU’RE… You have no idea…”

You wave to him as he runs to your side, tears at the corner of his eyes

You rub his back as he quietly sobs for a minute, even feeling like sobbing yourself at some point; this man holds so much love for you

You tell him why you summoned only him for now - the tears continue to stream but now he smiles and puts a hand to his head

How silly of him. Of course. How could he make such assumptions about your relationship? He could never betray you. Every moment only strengthens your trust in each other.